film review
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Film review: ‘Sarbjit’ is a tragedy in capital letters
Nandini Ramnath
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Film review: In ‘X-Men: Apocalypse’, past, present and future are mashed up in one big mess
Udita Jhunjhunwala
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Film review: ‘Buddha in a Traffic Jam’ has the perfect business plan for revolution
Nandini Ramnath
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Film review: Hot tip for ‘Money Monster’ – next time, invest in satire
Nandini Ramnath
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Film review: ‘Pelé: Birth of a Legend’ fails to thump it home
Udita Jhunjhunwala
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Film review: ‘Love Games’ aims to shock, but it’s only shockingly bad
Udita Jhunjhunwala
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Film review: ‘Sardar Gabbar Singh’ is strictly for Telugu star Pawan Kalyan’s massive fan base
Nandini Ramnath
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Film review: ‘Kung Fu Panda 3’ is more of the same, and that’s good, right?
Nandini Ramnath
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Film review: ‘How to Be Single’ is a girls’ own rom-com
Nandini Ramnath
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Film review: ‘The Choice’ leaves you with two choices : bawl or yawn
Udita Jhunjhunwala
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Film review: ‘The Finest Hours’ is a by-the-book rescue saga with bursts of drama
Udita Jhunjhunwala
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Film review: From scary dolls to creaking floorboards, ‘The Boy’ has it all covered
Udita Jhunjhunwala
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Film review: ‘Asterix: The Mansions of the Gods’ is a misfire, by Toutatis!
Nandini Ramnath
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Film review: ‘Jugni’ has a lot of sparkle but not enough firepower
Udita Jhunjhunwala
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Film review: ‘The 5th Wave’ is mere prologue for a franchise
Udita Jhunjhunwala
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Film review: It’s a clean sweep for Jennifer Lawrence and the rest of the cast of ‘Joy’
Nandini Ramnath
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Film review: ‘The Danish Girl’ skirts the issue at its heart
Nandini Ramnath
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Film review: The ungrammatical title is the least of the problems with ‘Chalk N Duster’
Nandini Ramnath
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Film review: ‘The Hateful Eight’ and that old, familiar feeling
Nandini Ramnath
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Film review: Mining drama ‘The 33’ is beyond rescue
Udita Jhunjhunwala